There is lust, dark humor, thrilling twists and true sensations of horror throughout th. Here, Jack the Ripper is cast as a woman. The 28 wins and more than 30 nominations from festivals around the world, current as of press time, offer solid evidence of the film’s strengths as an independent horror film that blends the Frankenstein and Jack the Ripper stories in a freshly gory take that present recognizable Victorian gothic inflections with steampunk aesthetics. 2016) is the other Utah Short Film of The Year nominee to set a new benchmark, as the nominee with the most awards ever coming into the competition. This film fills the gap elegantly with sincere emotion and empathy.Ģ016: Creatures of Whitechapel (Jonathan Martin, 25 min. Regrettably, many in the West are subjected to media reports that demonize Iranians and subvert portrayals as loving families that face the same emotional challenges we find ourselves coping with daily. This film was produced by Iran’s Youth Cinema Association and its narrative is about an elderly man who is celebrating his birthday and takes a new look at the relationships among his grown children. It is the pure demonstration of unconditional, affirmative love and the aspiration for spiritual acceptance within the Mormon faith from Eri’s parents and loved ones that envelops and deepens the film’s takeaway themes.Ģ015: The Grand Jury Prize for Best of Show went to The Story of a Rainy Night from Iran, directed by Mehdi Fard-Qaderi, which had its third appearance in a U.S. The 15-minute film tells the story of Eri Hayward, a Utah woman in her twenties, just days before she traveled to Thailand for her sexual reassignment surgery. This is the trio’s second consecutive win, with Boomtown taking the prize last year. Some memorable highlights include the following:Ģ014: Winning the Utah Short Film of The Year prize is Transmormon, by the OHO Media group of Torben Bernhard, Marissa Lila and Travis Low, which arose through the VideoWest initiative of KUER. There have been numerous exciting moments in Fear No Film’s history.
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